325.10 Analogy of Rope-making and Film-strips

325.11 As seen by an individual human observer or as recorded by any humanly devised instruments, Scenario Universe is progressively reaggregated within the recorded, remembered, recalled, and progressively reconsidered information inventory of ever more macro-comprehensive-outward and micro-exquisite-inward ranges of the compositely growing individual’s experiencing of life-in-time.

325.12 Scenario Universe is to any and all human observers very much like a rope-making experiencea rope that grows ever greater in total complexity but not in total diameter, and is comprised of ever more exquisitely diametered and ever stronger separate and differently lengthed fibers, a rope of which each of the myriad of progressive information events are in themselves terminal.

325.13 Each fiber enters into the scenario of rope-making by being twisted with others into a small thread of successively introduced and only partially overlapping fibers. This composited thread in turn is twisted with other threads into more complex strands. The strands are twisted with strands always consistently clockwise or counterclockwise (never both)until the totally twisted complex is brought together with a similarly twisted but tumed-around and now oppositely directioned rope of equal complexity, whereat, when side by side, their respective tendencies to untwist interwhip them together to block one another’s untwisting and produce an overall stabilized rope.

325.14 Employing the concept of individual fibers in this rope-making analogy and substituting for the word fibers the word photons, we can comprehend Einstein’s curved-space assumption of the manner in which the omniremotely, entropically dispersed, individual energy increments, radiationally disassociated from former star sources at maximum remoteness from other entities, now progressively enter the gravitational neighborhood of radiationally disassociated energy incrementsemanated from many sourcesand become thereafter progressively reassociated with one another in forming new celestial aggregates, thereafteras substantive matterconverging to a terminal complexity and density, thereafter once more to become radiantly dispersed.

325.15 The balancing of the gravitational and radiational exchanges is again analogous to the patterns of rope-making. We simply splice together the ends of the stabilized overall ropes to produce a plurality of looped-back, cosmic rope-making in a Scenario Universe of nonsimultaneous, local, episode twistings and untwistings. While some loops are unraveling, their strayed-away strands got caught elsewhere in new intertwinings.

325.16 The whole analogy of the rope-making and unmaking can be retransformed into the cinema concept, and the words fibers or photons being replaced by the word atoms. We can conceive now of all the separate atoms in the chemical compounds comprising the photo-negative celluloid ribbon of long-ago-exposed, financially exploited, stored-and-forgotten footage, the significance of whose once novel special case information has long since been incorporated in popularly accepted generalized viewpoints. The old film-strip has been chemically dissolved and its atoms disassociatively dispersed, migrated, and subsequently reassociated in a new inventory of on-the-shelf, unexposed, film-strip footage upon which may be recorded the ever-changing but progressively increasing inventory of comprehensive human experiences of tomorrow’s today. In this analogy there is a plurality of fresh individual film-strips being nonsimultaneously and only oVerlappingly-in-time exposed for each individual observer in the Universe, as each is overlappingly intertwined into more complex information strands.